Download Citation on ResearchGate | Afterthoughts on “Visual Pleasure and Narrative Cinema” inspired by “Duel in the Sun” | works primarily with Freud’s. Afterthoughts on ‘Visual Pleasure and Narrative Cinema – Free download as PDF File .pdf), Text File .txt) or view presentation slides online. “Afterthoughts on. Afterthoughts on “Visual Pleasure and Narrative Cinema” inspired by King Vidor’s Duel in the Sun () · Laura Mulvey. In Antony Easthope (ed.).

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Femininity- attributes and stereotypes associated with women, including, passivity, gentleness, etc. The Man Who Shot Liberty Valance has a more traditional plot, and focuses on the men; however, the way the film portrays the wild Doniphan stepping down so that Stoddard can have the girl, does play up the way that the ideal husband can receive the ideal girl.

This defense mechanism is characterized by converting seemingly dangerous desires into their opposites. To find out more, including how to control cookies, see here: Warren Buckland – – Pleassure. Nayar – – Hampton Press.

This site uses cookies. Afterthoughts on “Visual Pleasure and Narrative Cinema”. Visual Pleasure and Narrative Cinema.

Afterthoughts on “visual pleasure and narrative cinema”

Afterthouhts Tye – – Philosophical Quarterly 59 Sign in to use this feature. Sign in Create an account. Appears during phallic stage of development.

Glossary Oedipus complex- sexual desire for opposite sex parent, caused by a form of oon anxiety in males and penis envy in girls. Opposition Freud — Usually called Reaction Formation. Philosophy of Film, Misc in Aesthetics. Is Pleasure an Unconditional Good? Warren Buckland – – Routledge. Science Logic and Mathematics.


The hero is married and otherwise rewarded such as by ascending the throne. During this period, repression and afterthoughs with the same-sex parent are used to relieve anxiety. The Life and Death of Superimposition From Outer Space to Cyberspace.

Rodowick argued that her approach was too reductive and that her analysis of the female character on the screen and the female spectator in the auditorium did not allow for the possibility of female desire outside a phallocentric context. Cristina Johnston French Minority Cinema.

Laura Mulvey, Afterthoughts on “visual pleasure and narrative cinema” – PhilPapers

Added to PP index Total downloads 16of 2, Recent downloads 6 months 1of 2, How can I increase my downloads? Find it on Scholar. The Pleasures of Documentary Tragedy. Nnarrative – forthcoming – Film and Philosophy.

History of Western Philosophy. Philosophy Through Film in Aesthetics. Laura Mulvey – – In Marc Furstenau ed. Visual Pleasure and Narrative Cinema. Stacie Friend – – British Journal of Aesthetics 47 2: Anna Powell – – Film-Philosophy 7 3.

Laura Mulvey, “Afterthoughts on Visual Pleasure and Narrative Cinema” – ENGL

Hero Propp – One of the 7 dramatis characters in a fairy tale, Undertaking the quest, stopping evil, and marrying a princess figure are part of his act sphere. Nayar – – Hampton Press. Is Pleasure an Unconditional Good? This article has no associated abstract. Ronald Bogue – – Routledge. This is when Freud claims that humans learn the physical and gendered differences between male and female.

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Kathleen Elizabeth Scott – – Film-Philosophy 16 1: The Future of the Past. Cinema in Aesthetics categorize this paper. Ciinema it on Scholar. David Carr – – Journal of Moral Education 35 3: Implications and Afterlife Afterthoughts is less widely discussed than Visual Pleasure, and when it is discussed it is always coupled together with the original. Moral Education at the Movies: In Antony Easthope ed.

This entry has no external links. Eisenstein, Derrida, and the Sign of Cinema.

Irwin Goldstein – – Pacific Philosophical Quarterly 84 1: Stella ends up divorced and the last shot of the film is of her fleeing into the rain. In Duel in the Sun on the other hand, Pearl has become somewhat corrupt or wild herself, and thus is destined to be with the disorderly Lewt rather than Jesse who the film shows us will marry Helen, a model woman.

By continuing to use this website, you agree to their use. Nayar Cinematically Speaking: