BEN SHAHN THE SHAPE OF CONTENT PDF

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In his Charles Eliot Norton Lectures, the Russian-born American painter Ben Shahn sets down his personal views of the relationship of the. The Shape of Content has ratings and 25 reviews. the Russian-born American painter Ben Shahn sets down his personal views of the relationship of the. Get this from a library! The shape of content. [Ben Shahn] — “Mr. Shahn sets forth his views on both the practice and the purposes of art with a clarity, cogency.

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Jun 03, secondwomn rated it liked it Shelves: The title lecture enters a plea for synthesis between form and content, mildly deploring the critical appraisals of painting in terms, almost exclusively, of form. Bringing Emotional Intelligence to the Workplace: Each week, our editors select the one author and one book they believe to be most worthy of your attention and highlight them in our Pro Connect email alert. Jul 05, Ruzz rated it really liked it.

Then there are the formal values, inseparable from the work, but sometimes amenable to objective or comparative evaluations. Media reporter, reviewer, sgape, guest booker, blogger. Goodreads helps you keep track of books you want to read.

The shape of content.

For to appreciate a work of art, we must bring with us nothing from life, no knowledge of its affairs and ideas, no familiarity with its emotions. Apr 26, Andrew Martin rated it it was ok Shelves: Oct 09, Cbphoenix rated it really liked it. I see that as comparable to the inseparability of nature and ocntent in biology. In his Charles Eliot Norton Lectures, the Russian-born American painter Ben Shahn sets down his personal views of the relationship of the artist–painter, writer, composer–to his material, his craft, conteent his society.

Remembering the Future Luciano Berio. Eva rated it it was amazing Oct 22, Having a book full of essays by someone so likable and immediate as Ben Shahn makes this an easy read. Product details Format Contwnt pages Dimensions x x Natal Choice show more.

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A valuable addition to the appraisal of the condition of the arts. Thought-provoking, enjoyable lectures about what it means to be an artist.

The Shape of Content — Ben Shahn | Harvard University Press

Thee form is not just the intention of content; it is the embodiment of content. We use cookies to give you the best possible experience. Please provide an email address.

The title lecture seems to get the most attention, but I enjoyed more his thoughts on shahhn celebration sshahn and its discontents–which is a matter of form in its own sense. By using our website you agree to our use of cookies. Sep 14, Chris rated it it was amazing. I haven’t read too much on art, but this book makes me want to read more. Want to Read saving…. Four stars for “really liked parts of it.

The Shape of Content : Ben Shahn :

It’s on my reread list for sometime later this year or early next and I will give a proper review at that time. Check out the top books of the year on our page Best Books of Review quote The book is the clearest, most forceful statement on art by an artist of our time that I have read. Form lf, second, a marshaling of materials, the inert matter in which the theme is to be cast.

Working Space Frank Stella.

He talks of the creation of the work of art, the importance of the community, the problem of communication, and the critical theories xhape the a In his Charles Eliot Norton Lectures, the Russian-born American painter Ben Shahn sets down his personal views of the relationship of the artist–painter, writer, composer–to his material, his craft, and his society.

Jun 06, Charlie rated it really liked it Shelves: Shahn “sets forth his views on both the practice and the purposes of art with a clarity, cogency, and incisiveness that any professional writer might envy, and he manages to interweave with this a good deal of interesting material about his own development as an artist, as well as a running summary of his opinions on contemporary painting in general Home Contact Us Help Free delivery worldwide.

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Books of essays are tricky to rate. Such values are the passing vagaries of taste; they are sometimes the principles deduced by art historians, such as the authenticity of the work; or they may be concerned with the curious accumulation of money value, but they are not innate.

The Genesis of Secrecy Frank Kermode. Despite all the movements in art toward the plane of the abstract, Shahn argues for the ideas embodied in art as retaining a supreme value.

A great part of it also represents only the rejection, only the absence of self-commitment. If you ARE an artist— especially one who has ever felt limited by labels that feel arbitrary or never quite right, one who has felt invalidated by art critics, one who has ever wondered WHAT to do or HOW to do, especially how to do in the face of society, read this. Anna rated it really liked it Jul 18, Dec 28, Zach Erdmann rated it it was amazing.

If you ARE an artist— especially one who has ever felt limited by labels that feel arbitrary or never quite right, one who has felt invalidated by art critics, one who has ever wondered WHAT to do or HOW to do, especially how to do in the I adored this book.

The first half of the book consists of four exquisitely written essays by Kao, Katzman, and Webster, beautifuly illustrated with superb reproductions of Shahn’s photographs and related materials, including detailed notes.

Return to Book Page. And it is a constant struggle to wrench out of the paint tube something that is still newer than new.