KENNY BURRELL CHITLINS CON CARNE PDF

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Watch the video for Chitlins Con Carne from Kenny Burrell’s Midnight Blue for free, and see the artwork, lyrics and similar artists. Chitlins Con Carne. By Kenny Burrell. • 1 More by Kenny Burrell. Unlimited 1 (Live at Listen to Kenny Burrell in full in the Spotify app. Play on Spotify. Chitlins Con Carne – Kenny Burrell Tabbed by: axe victim Email: Leave a message on my ‘Ultimate Guitar’ profile or comment here and I’ll get back to you.

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Leave a Reply Cancel reply. This is possibly because you are running an ad blocker or another browser extension that is preventing ads from showing, or are using browser privacy settings that do not allow ads to show. His crisp clean tone was influenced by Charlie Christian and Django Reinhardt but also has one foot in the door of the blues. But perhaps the most familiar cover was by Stevie Ray Vaughan. Check out the tribute paid with the cover to his album Almost Blue.

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Midnight Blue Blue Note Producer: If you are running an ad blocker, please disable it on whosampled. The eight-bar intro lays down a pulsing Latin clave, with Holley pedaling the bass as Barretto takes liberties on the congas.

This song has been covered numerous times by artists as diverse as Horace Silver and Junior Wells.

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Original versions of Chitlins con carne by Stevie Ray Vaughan and Double Trouble | SecondHandSongs

He must have even made some impression on Elvis Costello. Every subscription supports the running of our service.

Ray Barretto Tenor Saxophone: Please consider signing up to WhoSampled Premium to access the fastest, cleanest, ad-free WhoSampled experience for a small subscription fee. Discussion Kejny the first to comment on this track!

A blog called Jazz Rock Fusion Guitar has a posting that describes the song very well:. Refresh the page to see the result.

Enjoy… until next week. Kenny Burrell Double Bass: Perhaps his most important album was Midnight Bluerecorded for the renowned Blue Note label in His deceptively clean guitar solo walks a tightrope between endless space and airtight rhythmic motifs; a devil-may-care attitude in the face of death that comes from having been down and out and having lived to tell about it.