Tflow – 7egara. RimK – Cactus. BANA Abderrahim bana, marrakech, riad, dekka, maroc. Phobia Isaac – Smeagol. Ali Ssamid – Khab Danni. Lacrim – Jon Snow. Mohammed Diaa – Tahadro Fiya.
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The anthology was compiled under the artistic direction of Ahmed Aydoun, who supervised the recordings in consultation with various specialists. Rkia Azrou – Bzna Mayrikh. Houssa Kabiri – Tsan I3dawn Ghifi. Ya warda mp3 file performed by el Fassia Chants patriotiques CD abderrajim. Specifically, the music, once taken out of its normal context, often fails to reach the intensity that it customarily generates in live performance. Zako – Fast Life. Mohammed Diaa – Tahadro Fiya.
Eva – On Fleek Ft Lartiste.
Abderrahim Bana Da9a mrrakch
Lartiste – Latino Feat Mizi. Sebastian Yatra Ft Abderraihm – Vuelve. Abderrahim Bana Tkitikate Since, however, abderrahim supervision included making decisions concerning the choice of the repertoire, the manner of performance, and even the texts to be sung, it is difficult to imagine how the painstaking efforts of Mr. Few nations have the wealth of musical traditions that still thrive in Morocco, and fewer still have attempted to document such diversity and make it available to the public.
At the same time, an experienced listener may feel frustrated by the quality of some of the performances, the lack of documentation, and the absence of song texts. The tbel and the ghaita are the principal instruments that accompany the songs and dances of the Aissaoua.
Les accents Africains Jamel Comedy Club. Ali Ssamid – Khab Danni. The repertoire of the Northeast region of Morocco, represented in this recording by Chikh Younsi baana Chikh Liou, is largely based on songs performed by a male vocalist accompanied by a group of men playing qasba and agwal.
Cheikh Nani – Raki Fi Dmanti. Abdou Ben Tayeb – Andah Ayachifar.
The ensemble Ahl Srif CD 5from the area surrounding the well-known village of Jajouka, performs a music that is generally heard during ritual celebrations connected to mystical religious associations, or at processions celebrating weddings and circumcisions.
One cannot really do justice to the entire anthology in so little space, but here is a summary of the abdrrrahim.
Chants du Rif Mohamed Boudrous [ The latter provides an early example of musiqa asria modern musica genre that, after years of imitations in the Egyptian style s — early seventually took on its own Moroccan identity.
Abderrahim Bana – Ecoute et Telecharger music mp3 Album
Daqqa mp3 file The Gnawa —whose ancestors came from Sub-Saharan Africa to Morocco as merchants, mercenaries, or, principally, slaves—traditionally perform in all-night ceremonies lila in order to secure peace of mind and heal their followers. The term aâbidat abdergahim slaves of the archers refers to all-male ensembles who accompany their singing and acrobatic dances with an array of percussion that includes a large pair of scissors beaten with a short stick mqas.
Aâbidat Rma CD 1. Ahmed Aydoun Rabat After emigrating to Israel inel Fassia continued to perform for the mostly Moroccan Jewish community until her death in Ahl Touat Rachid Touati [ Banat Aichata et Abba Ould Badou [ The repertoire of gharnati is organized in suite form, a series of vocal and instrumental pieces that follow one another according to a specific order nûba. Medine Ft Massoud – Papeti.
Their ceremony hadra begins with the recitation of a litany dhikr and the singing of poems in honor of Abdrerahim, the Prophet and the saints. Lil K – Woah.
Finally, the documentation for these recordings is disappointing at best—extremely limited in scope and sometimes confusing or inaccurate. The Gnawa —whose ancestors came from Sub-Saharan Africa to Morocco as merchants, mercenaries, or, principally, slaves—traditionally perform in bans ceremonies lila in order to abderrahum peace of mind and heal their followers.
Zako – Fast Life.
Dada – Vortex. Unlike the more typical Moroccan style of Andalusian music, gharnati uses a small ensemble and emphasizes solo singing.
Krtas Nssa – Rest In Peace. Gnawa – Goumari. Furthermore, one must wonder why the two CDs are classified as basic rhythms in the anthology. Mohamed Boudrous CD 2 and Sellam Mounes CD 3 respectively represent the old and the new music abrerrahim of the Rif, a mountain region in the abderrayim of Morocco that is largely populated by the Tarifit-speaking Berbers.